I Love Fabric!

It’s been a hard couple of weeks. Adjusting to life in a new country is definitely tougher than I expected when I moved here. Now that I’m almost a year on from the move, I was anticipating feeling a lot more at home than I do. But starting your life over again is no joke and trying to build one for myself is taking its toll. Fortunately, I have an amazing husband who knows exactly the right way to cheer me up – by taking me fabric shopping! So with a couple of new projects in mind, we headed over to Joann’s so that I could pick myself up with some fabric devotion. As always, I was in heaven.

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SO much fabric joy! Am I the only one who pretty much always fabric shops in person? I mean, I order the odd thing online – but mostly just fabrics with really cute patterns that I can’t resist. Otherwise, I much prefer a trip to the fabric shop. I guess I’m always worried that what I order online won’t turn out to be as good in person. Although I know you can order swatches, I’m also incredibly impatient when it comes to waiting for fabrics to be delivered. Also, when I’m feeling not so at home here, hunting out new fabric shops or returning to favourites is a sure way to make me feel more comfortable. It’s exactly the same feeling of ‘at home’ that I get whenever I go into a bookshop. I know, I’m super cool!

We ended up spending a long time searching through the various fabrics at Joann’s. I had a couple of projects in mind and was hoping to find some fabrics that would work. The first project is a new version of the Decades of Style Belle Curve dress. This was one of my first makes (ambitious, I know!) and remains one of my favourite me-made garments. However, in my eternal Laura wisdom, I decided a couple of weeks ago that I should try to tidy up my original version. Since I was super new to sewing when I made it, there were quite a few problems with the construction. None of the issues were a particularly big deal, but mostly I was getting annoyed with the wide, unfinished seams and a lot of subsequent fraying. Since everything was already constructed, I didn’t want to risk serging. So I decided to take my pinking shears to the seams and have a go at both trimming them down and stopping the fraying. As careful as I thought I was being, I ended up snipping through the body of the side of the dress – right by the amazing sunburst darts – and leaving a hole big enough that there’s no fixing it (flashbacks to my wedding dress muslin, anyone?!). Needless to say, I was pretty distraught. However, the dress was definitely in need of many alterations. I’ve lost a lot of weight since I originally made it and, with the way the dress is constructed, it would’ve been impossible to alter. So I guess my accident was actually providing an opportunity for me to revisit and remake one of favourite patterns!

I knew that I wanted to stay super plain with the fabric. The best part of the Belle Curve dress is undoubtedly the darts and using a patterned fabric would only make this detail much harder to see. So I decided to get a couple of drapey fabrics in bold colours that would work super well and show of the unique details of the dress pattern.

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Green is probably my favourite colour and I couldn’t resist this gorgeous bottle green. My original version of the Belle Curve dress was in green and it looked stunning. I’m not sure if I’ll use this fabric for my next version since I want to try something different but, either way, it’ll certainly be put to good use!

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Purple! I don’t think I’ve made any purple clothes so far, which is strange because I absolutely adore purple. This is definitely a super bold purple but I think it will work incredibly well with the pattern. I can’t actually remember what sorts of fabrics these are – I think they’re poly blends. But they are perfectly drapey with a silky underside, which will work very well against the skin. I can’t wait to get started!

I’ve also been putting together plans to make some shorts. Summer in Missouri is pretty crazy and temperatures can get up to 110F (I think that’s over 40C). Since I’m came over from England, clearly my wardrobe was very underprepared for such temperatures. I’m determined that this summer will be much more comfortable than the last, so I’m putting my sewing machine to work for the cause. Fortunately, one of the lovelies that I follow on Instagram (Erin from My Poetic Memory) posted a photo of some shorts she’s whipped up recently. All of the pairs looked gorgeous but she had a version of the Chataigne shorts from Deer&Doe that left me particularly in love (I was the personification of the heart eyes emoji, for sure). After searching out the pattern for myself, I knew that I needed to put this on my project list! Since I was especially in love with the styling of one of the models for the pattern, I decided to try and replicate the look by finding some faux suede to create some beautiful shorts:

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I’ve never sewn with faux suede before, so I’m excited to give it a go! I think these shorts will be amazing – although perhaps not made with the most cooling of materials. Just an excuse to buy even more fabric to make new versions!

So that’s a summary of my recent adventures into the world of fabric. I’m so excited to get started on some new projects (especially because Me Made May is coming and I need to get some more stuff together!). Fortunately, my Ginger Jeans are almost finished – just the jeans button, rivets, and hemming to go! So I’ll have those to show you soon.

For now though, I’m wishing you a wonderful weekend full of sewing and happiness!

New Projects: What’s Next?

With February now well under way, I’m attempting to get together some coherent sewing plans for my next few projects. The down side of not planning out a series of makes for the year (along the lines of #makenine on Instagram) is that I do spend a lot of time dithering when I find myself between projects. Since my sewing productivity has increased massively this past month, my lack of planning is becoming even more of an issue. On the other hand, my makes tend to be responsive to whatever I’m feeling at the time so planning out patterns for the year doesn’t really work well. To navigate these two perspectives, I’m trying to develop a planning method that falls somewhere in between by having the next few makes lined up – hopefully sufficient to get me through a month or two. With that, I thought that I would write up a post on my more immediate sewing plans – at the very least it gets my plans out of my brain (where they will inevitably slosh around and eventually disappear into the ether of my other thoughts) and written down in a concrete way!

As I mentioned in my previous post, I’ve been spending a lot of time recently working from Tilly and the Button’s Love at First Stitch book.

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I’ve owned this book for ages but had yet to actually make anything from it. Having just finished up the Clemence skirt (photos to come soon!), I’m now working on a version of the Mimi blouse. I’m actually super excited about this make. I’ve never been big into making separates – I always seem to default to dresses because they’re just so pretty! But I’m determined to diversify my me-made wardrobe this year and separates are going to be a big part of that. I fell in love with the 60s style of the Mimi blouse and thought that it would be the perfect opportunity to use the beautiful fabric that I won during #vpjuly last year.

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I was going to hang on and make a dress from this fabric (as per my traditional dress obsession) but I can’t help thinking that it will make a super cute vintage blouse. Plus there will be some extra fabric left over for other things, which is always a bonus!

After I get done with the blouse, I’m thinking of working on another version of the Decades of Style Belle Curve dress. This was one of my earliest makes and remains one of my favourite patterns. It’s just so beautiful! Unfortunately, my early version of the pattern is both much too big for me now and not amazingly made. I definitely applaud myself for managing to make the pattern at all and, given my complete lack of sewing knowledge at the time, am still very happy with what I achieved. But I think the Belle Curve dress is definitely a pattern that will benefit from my much improved sewing abilities.

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I don’t yet have any fabric for this dress. I think it’s going to be a matter of rooting around at some fabric stores in order to find the perfect material. I think I’m still going to go for something plain (not patterned) and relatively light in colour, since this allows for the darts to show up especially well. I was actually really pleased with the fabric choice on my first version, so I think I’m going to try and use something relatively close to that – because why change what works?

The last project on my current list is the Closet Case Patterns Ginger Jeans. I’ve seen these jeans circulating in the blogosphere for a while and with consistently incredible reviews. I always struggle to find good jeans in stores because they’ll inevitably be baggy on my waist and thighs or too tight on my hips. The idea of making my own jeans is massively appealing and, with my recent Ultimate Trousers success, I’m feeling really motivated to make even more trousers! Not to mention, Closet Case’s jeans patterns are all 30% off for the month of February, as is their online Jean Making course! So I think I’m going to capitalise on that discount and give these jeans a go.

So that’s everything I have planned for the next month or so. If I continue on my current trend, my self-made wardrobe will definitely be growing exponentially through 2018! What do you have lined up for February? Dark, cold winters are definitely optimal sewing time. Maybe this -10 Celsius weather will clear up in St. Louis soon so that I can actually go out wearing some of what I’ve made this year.

 

1950s Stole (Decades of Style)

Sewing for other people has never been my strong suit. Mostly, this is because I’m an unrelenting perfectionist and am never truly satisfied with anything I make. While I can live with this feeling when it comes to things I make for myself, it’s much harder to let go when I sew garments or accessories for other people. Sometimes, however, I’m able to make myself take a step back and remember how far I’ve come with my sewing since I began. Over the past year, in particular, my skills have come on leaps and bounds. With this in mind, I’ve stopped avoiding making things for others and instead let this Christmas motivate me to give some super unique gifts!

For a while now, I’ve been desperate to try out Decades of Style’s 1950s Stole pattern. As you all know, I’m a diehard Decades of Style fan. Their patterns are consistently the easiest to construct because, even when requiring techniques that are more complex (see my version of the Belle Curve dress, for example), the instructions are always crystal clear. So, when it came to picking out a potential gift for my mum, I jumped at the opportunity to have a go at another one of their patterns.

*I promise that all of the pictures in this post are after I gave the stole to my mum on Christmas Day. She opted out of having photos on the blog because she was super harassed making Christmas dinner so, instead, you get more photos of me!*

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Because this gift was for my mum – a woman who loves all things sparkly – I knew that I needed to find a super unique and fabulous fabric. Luckily, I found the perfect thing on a trip to Joann’s. The fabric is a gold sparkly synthetic with a red (really maroon) net overlay. The effect is truly stunning. The fabric is constantly catching the light and sparkling! I lined the stole with a pale gold lining fabric. The fabrics worked wonderfully together and helped to create a stole that will be perfect to throw on over a black dress for an event or party. Ultimately, I wanted the stole to serve as a bit of a signature piece that could elevate a relatively simple outfit (think lots of black) to something more night-time ready. The fabric picks definitely helped me deliver that.

As I expected, the pattern itself was absolutely divine. I had selected the stole in part because I didn’t want to choose anything too complicated. I knew that I had other makes to get done, as well as the pressure of a Christmas Day deadline, so I wasn’t looking for anything overwhelmingly ambitious. As it turned out, the most time-consuming and complicated part of the process was cutting out the shell fabric and lining. The stole comes in four pattern pieces, two of which are essentially the length of the stole itself. When it came to cutting, I was working with the longest pattern pieces that I’ve used to-date. Finding the space to do this (and stopping my dog from climbing all over the fabric) was a challenge. But I’m fortunate enough to have a large space of wooden floor in my lounge, so I managed to find a way forward.

I will also add that, as always, the Decades of Style PDF really came through for me. I absolutely despise PDF patterns. They are consistently a nightmare to put together and, somehow, I’m never able to get the pages to stick together quite how they should. While I’m still not a PDF convert, I’ve used quite a few PDF patterns from Decades of Style and they are always the most problem free. The 1950s Stole pattern fixed together perfectly!

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The stole itself was done in about three hours. It would have been shorter except that I accidentally attached the wrong pieces together and had to do quite a bit of unpicking in order to rectify the situation. That minor problem aside, I had absolutely no issues constructing the garment.

The shape of the finished is total perfection. I adore the drape of it! Although I would probably use a brooch to pin the stole at the shoulder when wearing outside (the lining makes it a bit difficult to get the stole to stay on the shoulder without sliding down), it is incredibly easy to wear. The pattern comes with illustrations that show a couple of different ways of wearing the piece, offering options to work with whatever else you’re wearing. The stole itself has a sleeve on one side and a flap on the other (you can see this in the photo above). I absolutely love the shape of the sleeve, which has an almost kimono sleeve feel to it:

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Of all the features of the stole, however, I’m most obsessed with the hand flap. Last year, I bought a vintage cape with the same option – you can either keep your arms and hands inside the cape or stick them out through small flaps on either side. To me, this feature on the stole truly brings home its 1950s feel, while also offering another great way of wearing the accessory.

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Although fit is obviously not much of an issue when it comes to this stole, the pattern offers three separate bust options from 30″ – 46″, to accommodate nearly everyone. Paying attention to the bust size is vital for ensuring that you get the right amount of drape across the chest. I made the stole in Size B (36″ – 40″). While you’re seeing it on me in these pictures (36″ bust), my mum is on the other end of the Size B spectrum  – the fit and drape worked perfectly on both of us. The length of the sleeve was also perfect on us both!

So if you’re looking for a pattern that offers a super vintage feel whilst taking only a handful of hours out of your day, this is definitely a pattern for you! It’s a perfect gift and a wonderfully wearable accessory, not to mention the perfect way to class-up any outfit.

The Objet d’Art Dress

Oh I’m excited for this one! My version of the Decades of Style Objet d’Art dress has been a while in the making but, once I got properly under way, I just knew that this pattern was something special.

After wrapping up my dress for the Big Vintage Sew-Along, I was suffering a serious case of lost sew-jo. I poured a whole lot of effort into turning V9127 into something special and, although I was so incredibly proud of what I produced, I ended up feeling pretty burnt out. I wrote a while back about my search for a pattern that would help me recoup some enthusiasm and the Objet d’Art dress has definitely done the job. And here it is…

This dress is a 1950s inspired pattern – although, as I mentioned in my previous Vision Board post, I get definite 1940s garden party vibes from this one. The neckline and pocket detailing are truly unique points of focus for this dress. When I stumbled across the pattern (I say stumbled but I peruse the Decades of Style website on a near-constant basis), it was those unexpected twists on a classically simple silhouette that drew me in. These incredible details are something that Decades of Style patterns always do amazingly well – the Belle Curve dress is another example. And in the Objet d’Art dress, the detailing is used to perfect effect.

What is truly innovative about this pattern is its simplicity. Looking at the neckline or the pockets, you’d think that some serious sewing trickery was involved. But it is as simple as sewing darts and positioning them correctly. That’s it. Follow the markings and you end up with a gorgeous lapped neckline and some fantastic triangular pockets.

I’m trying not to rave too hard but I’m struggling to find anything negative to say about this pattern. I used a PDF version of the pattern and had no problems putting it together – that is to say, all the pieces fit and the markings were super clear. I went straight in without making a muslin (I really am the worst when it comes to making muslins because I’m impatient and always prefer to just alter as I go), grading the pattern out one size at the hips. The finished product fit like a glove with no further alterations to the size at all. Bear in mind that the dress borders on having a pencil fit around the hips/bum (although this could just be on me) so make sure you account for that when choosing your size. That pencil shape gives it a gorgeous silhouette but obviously a little less ease. Also there’s a fab kick pleat on the back of the skirt which I love!

My fiancé told me the left-hand photo captures my spirit because, in his words, ‘you look like you’re trying to teach me something’.

Fact: I hate zip insertions. They are the bane of my life. And, for some reason, no matter how many Youtube videos I watch, I’m still rubbish at it. I don’t think there’s a single zip in any one of my garments that doesn’t look at least a bit jerry-rigged. But I figure as long as it’s functional and doesn’t fall out, I’ve done the job. Probably my only piece of sadness about the Objet d’Art dress was having to put in a zip. It came out just fine in the end, although my hand is strategically covering a slight puckering at the bottom. Tips on zip insertions are always welcome (seriously, please help me).

The last thing to mention is the fabric! One of the things I loved about the look of the pattern was the photos I saw on the website, with a version of the dress made up in a green striped fabric. The pattern is designed to work incredibly well with vertical stripes. So I did a bit of hunting around and decided to exploit the gift voucher that I won from The Splendid Stitch for a photo of the Belle Curve dress that I submitted for Vintage Pledge July. The fabric is a Light Blue, Navy and White Striped Shirting  and it worked gorgeously well. If you choose to use a vertically striped fabric, no magic is needed on your end to achieve the final effect – if you position the pattern pieces as instructed, you’ll end up with a lapped neckline that is accentuated by the direction of the stripes. I particularly love the way that this came out on my version.

So there we have it! Another gorgeous pattern from Decades of Style who have, so my most recent look at the website has informed me, added a whole load more PDF patterns. I have a couple of other projects lined up for the next month or so but trust me when I say that it won’t be long before a new Decades of Style pattern is featured here!

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Vision Board: 1940s Garden Party

Hi dolls!

I hope that you are enjoying these last few days of September. One thing I love about the transition from summer to autumn is that brief period of time where the warm summer sun is accompanied by a cool breeze. I walk A LOT and this is my favourite time of year to explore the parks around my neighbourhood and exploit the end of the National Trust season with visits to stately homes. In honour of this gorgeous season, I’ve been working hard on my Objet d’Art dress from Decades of Style. It’s the perfect accompaniment to a relaxed autumn, totally equipped for a turn in the weather by throwing on some tights and a cardigan.

As with my other makes, I’ve worked hard to picture exactly how the Objet d’Art dress can be worn. In picking out fabric for any of my makes, I’m always aware of the various vintage accessories that might really draw out the era while also tailoring the garment to whichever setting I’m picturing for it. When I saw the Objet d’Art dress, my mind turned immediately to garden parties, hosted in that transitional summer to autumn period. It’s a dress for lounging, tennis playing on the lawn, and taking a leisurely walk.

For my reference, I usually create something of a ‘vision board’ that I work from in deciding on fabrics and accessories. To take Sew for Victory from simply documenting the beginning and end of projects, I’ve decided to introduce these vision boards to my posts here. Hopefully this will provide a point of inspiration for those of you looking to create a complete vintage look. So, without further ado, my 1940s Garden Party Vision Board:

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Pattern: Objet d’Art dress from Decades of Style

Fabric: Blue, Navy and White Striped Shirting from The Splendid Stitch

Shoes: Light Brown Brogues from New Look

Gloves: White Shirred Gloves from JewelryAndThings2 (Etsy)

Bag: 1940s Floral Purse from SL Vintage (Etsy)

Necklace: White Freshwater Pearl Necklace from Pearl Distributors

The stepping-off point for this board was the Objet d’Art pattern from Decades of Style. Although listed on the website as a 1950s pattern, it screams late-’40s style to me (particularly in the silhouette and the accessories that I picture it with). In that 1940s garden party setting, white dress gloves and a string of pearls are sophisticated accents. Pair with a simple, embroidered handbag to celebrate being out in nature and cling on to the remnants of summer. And finally, recognise the importance of practically – as well as the dominance of low-heeled pumps in the 1940s period – by popping on a pair of tan brogues. All of these bits and pieces are incredibly accessible and can be bought on the high street if you want to avoid paying for genuine vintage items (you might, for instance, want to steer away from paying $150 for a real pearl necklace, however gorgeous).

My version of the Objet d’Art dress is almost ready to go. I can’t wait to share it with you and, in the meantime, maybe this will give you a few ideas for building up your own vintage wardrobe!

New Project: 1950s Unique Chic

Happy Thursday, sweet ones!

Thank you so much for all of your wonderful comments on my dress for the Big Vintage Sew-along. I couldn’t be prouder of how it turned out and hearing such super kind feedback has been incredible. As long-time readers of Sew for Victory will know, I have a true soft-spot for late 1930s style and Vogue 9217 was the perfect make to really show off what the era has to offer in the way of fashion.

Working so hard on the Big Vintage Sew-along dress has left me a little drained. Managing such a big project on top of the PhD and general life tasks (eating, sleeping, and talking to my fiancé are obviously important things) was definitely a challenge. But I’m also determined to capitalise on the momentum I’m feeling and have been trying to seek out the perfect project to reinvigorate me with sewing energy. Fortunately, I went to my most faithful source of incredible vintage patterns and found just the right make – Decades of Style’s Objet d’Art dress.

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Beautiful, right? I’m really excited to give this pattern a go and I think it will result in a real statement piece, similar to the company’s Belle Curve dress.

I also had some really good fortune in July, winning a prize via the July Vintage Pledge organised on Instagram by Stitch Odyssey and Kestrel Makes. My darting detail on the Belle Curve dress won me a £30 gift voucher for The Splendid Stitch – an incredible online shop, stocking gorgeous fabrics and sewing knick-knacks. Searching through the stock of fabrics, I happened on the perfect fabric for the Objet d’Art dress – a blue, white and navy shirting that will really help accentuate the collar and pocket detailing on the pattern.

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I’m really excited to get started on this one. Stay tuned for the finished product!

Inspire A Style: Gene Tierney

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I’m back in the UK and, while I work on finally making progress with my Joan dress, I thought I would stop in with another instalment of Inspire A Style. This time featuring Gene Tierney, one of my favourite 1940s starlets!

Who?

Gene Tierney was an American actress who starred in a number of films throughout the 1940s, and into the ’50s. Acclaimed as one of Hollywood’s greatest beauties, she acted alongside a number of the most famous stars of the time – Humphrey Bogart, Ginger Rogers, and Spencer Tracy among them. Perhaps her most acclaimed role was as Laura in the film of the same name.

Gene Tierney is also known for the ups-and-downs of her personal life. Suffering from depression and ill-health, Tierney contemplated suicide in 1957. Her journey to overcome her mental health problems – as well as the story of her career – are documented in the amazing autobiography Self Portrait (highly recommended!).

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Why?

Gene Tierney is the epitome of 1940s glamour. Hollywood starlets of the era obviously had access to some of the most glorious garments and stylists. Other than her effortless beauty, it is this style that makes Tierney such an inspiration for anyone who wants to replicate this vintage style.

In many respects, then, Gene Tierney’s position as a fashion role-model is not the product of her personal style. But it is rather a consequence of her fortunate place at the helm of Hollywood. However, she is far from a one-dimensional personality. I think that her personal battles dictated her approach to her career, and this is something that will always inevitably flow over into other areas of life – including, in my view, style. Whether as a representation of inner battles, or as a superficial cover for them, there is always a story. And Gene Tierney perhaps best represents this fact.

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What?

Gene Tierney represents a lot of what I love about 1940s glamour. There is a certain simplicity to many of her looks, a simplicity that separates this era from those that followed. Simple, well-constructed gowns were the order of the day, paired with pearls or diamonds. Throw in some gorgeous bright reds and deep greens and this is a style that pretty much anyone can replicate. Gene Tierney is also someone to look to in attempting to replicate 1940s hairstyles. Perfect curls!

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So where can a seamstress look for patterns to replicate the Gene Tierney look? My first recommendation would undoubtedly be Decades of Style’s Belle Curve dress – to me, this totally epitomises the 1940s style and works perfectly for communicating some Hollywood glamour. I sported my version over Christmas and received endless compliments!

There’s also the glorious Doris dress from Eliza M Vintage. Worn strapless, and paired with a set of pearls, it would be perfect. I’ve made up patterns from Eliza M before, and they are so well constructed and easy to follow. Definitely recommended!

Finally, get yourself a set of heated rollers, pop your hair into some soft curls, and you’ll be ready to go! Gene Tierney in the 21st century! And I’m sure, once in this look, you will find yourself closer to the courage and determination that characterises her story.

“Life is like a little message in a bottle, to be carried by the winds and the tides.”

Gene Tierney (1920-1991)

Inspire A Style: ‘Little Edie’ Bouvier Beale

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The beauty of sewing your own clothes is the unlimited creative freedom in putting together your own style. Part of the reason why I started sewing was my disillusionment with trying to hunt out my style of clothes from a fairly monotonous selection. Finding clothes in high-street shops is made all the harder by the fact that I handpick inspiration from a variety of eras, not usually reflected in current fashions.

After a few questions about the source of my style, I thought that it would be a good idea to introduce a series of running posts that feature my most prominent fashion role models. Today, I’m celebrating the unique style of – the little-known – Little Edie Bouvier Beale.

Who?

Little Edie is in part known for being the cousin of Jackie Onassis Kennedy (a fashion goddess in her own right). But following a scandal in which health inspectors declared the Bouvier Beale mansion ‘Grey Gardens’ uninhabitable, Little Edie was herself thrown into popular attention. In 1975, the Maysles brothers – two documentary makers – decided to make a feature about the eccentric and reclusive life lived by Little Edie and her mother (appropriately named, Big Edie) in their dilapidated and decaying mansion. The resulting filmGrey Gardens, is a poignant and revealing insight into the lives of these two women, dealing with a reality in which “it’s very difficult to keep the line between the past and the present.”

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Why?

One unexpected consequence of Grey Gardens was the sudden position of Little Edie as something of a fashion icon. Watching the documentary, it’s clear why. Little Edie is a woman who marches to the beat of her own drum entirely. Her style reflects this.

Due to the onset of alopecia in her twenties, Little Edie spent much of her life without any hair. As a result, Edie adopted her signature headscarves –  a defining feature of her fabulous look.

Little Edie’s life at Grey Gardens, poverty-stricken and centred around looking after her elderly mother, ensured that her style was a pick-and-mix of past eras. As Edie herself says of her wardrobe:

“My costumes? That’s a protest against having worked as a model for the Establishment, believe it or not. A lot of models feel that way. Sometimes their lives are protests against having worked as models. Besides, I didn’t have time taking care of mother to get out and buy any clothes. So I used what was left of mine and mother’s in the attic.”

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What?

Little Edie’s style is perhaps best known for the fabulous vintage headscarves, fastened with gorgeous vintage brooches. This is such an easy detail to recreate. Grab a silk (or polyester) scarf, pop it over your head, and fasten at the neck with a brooch. I have a variety of brooches – some vintage, some vintage-inspired. Really anything works.

Little Edie also inspires a love for faux fur (although I’m sure that her furs were real, please AVOID). I was hugely drawn to my new coat because of the faux fur edging, reminding me of Edie’s gorgeous looks.

Edie has inspired modern designers. Marc Jacobs and Isaac Mizrahi have both created garments based on Edie’s unique style. For a quick look at her most inspired ‘costumes’, see ‘Little Edie’s Top Ten Outfits from Grey Gardens’.

Taking this all back to sewing, it is easy to find patterns that allow for a recreation of Edie’s infamous style. One of her classiest looks is a long-sleeved shirt worn underneath a simple shift dress. Decades of Style’s Given A Chance dress would be perfect to recreate this sleek look. Sew Over It’s Cowl Neck dress would also work really well.

One of my absolute favourite looks sported by Edie is her amazing one-piece bathing suit.

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To recreate this look and create a wearable, versatile piece, take a look at Sew La Di Da Vintage’s Margo 70s Playsuit. I’ve yet to make up this pattern so I can’t vouch for its ease of use – but the finished product certainly looks fabulous!

I love Edie – for her imagination, optimism, and general resilience. She is a role model for more than her style. Find a free 90 minutes and watch Grey Gardens to discover this relatively unknown icon.

The Belle Curve Dress

Happy Friday, sweetpeas!

As promised, I’m returning with some pictures of my finished Belle Curve dress – pattern by Decades of Style. This is BY FAR the most beautiful thing I’ve made, totally a consequence of the stunning design.

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I am beyond in love with this pattern. Despite my fear of the 36 darts, it came out quite quickly and was strangely satisfying. The darts are the most unique feature of the dress but, as well as looking great, they create a beautiful figure-hugging shape. This dress sits perfectly on my hips and I found that it achieves a fabulous hourglass shape really effortlessly.

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I made this up in a green chiffon-poly that I bought super cheap from Walthamstow market. Since my plan is to wear this as my Christmas day dress, I thought that the forest green would work as a beautiful colour! I also thought that the shimmer to the fabric would give it that gorgeous 1940s feel.

The only change I made was to the back by introducing a V-shape to the neckline. Partly this was because I felt that it would step up the glamour factor, but it also eliminated a bit of bagginess in the upper part of the back. Basically, it streamlined the shape.

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There is nothing that I don’t adore about this dress. It is the most accurate 1940s-inspired pattern that I’ve found to date and it just has that WOW factor. I’ll be making this up again, without a doubt! Head on over to Decades of Style for this and a lot more fabulous patterns!

Laura x

A Trip to the 1940s: The Belle Curve Dress

Hello sweeties!

After a sewing-filled weekend, I am officially in the midst of my next project. A meet-up with some fellow twenty-something sewers (which I’ll be writing about in more detail soon) not only inspired serious sewing productivity, but also introduced me to the perfect fabric for my new dress.

Enter Decades of Style’s Belle Curve dress:

Pattern

A fabulous 1940s-inspired pattern, this beautiful dress features a curved back piece, darted all the way around to give it its shape. 36 darts in all! It is a serious time investment but I figure I will be a true dart expert come the end of this one. And the finished product promises to be a fantastically unique piece, well worth the effort.

In order to combat the darts – which are attached as separate dart templates – I took the advice of the pattern and got out my tracing wheel and carbon paper. Not only did this make the process far easier, but the yellow carbon paper meant that the dart tracings stuck out fantastically well on my fabric:

Dart tracing

I’ve decided to make this up in a gorgeous shimmery forest green, which will hopefully give me a dress that looks true to the 1940s style. This evening I started the process of sewing up the darts, using a spare 30 minutes to crack on. There’s still a LOT more to do, but the curved back is starting to take shape:

Darts

I’m SO excited about this project and really can’t wait to get it finished – although with 36 darts, it may be a little while! I want to take this back to the US as my official ‘Christmas dress’ (all going to plan) so I have a little while to work on it, and hopefully squeeze in another project before I fly off!

I’ll be back later in the week with more details about my trip to Walthamstow market – featuring some tips and highlights for anyone planning their own excursion. In the meantime, have a wonderful week!

Laura x